Category

Visual Effects
I have recently just joined the VES, Visual Effects Society as a member. My recent nominations on Playstation A Perfect Day and Smithwicks Squirrel gave me the chance to become part of this exclusive bunch of talent people.
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We worked closely with Director Austen Humphries to achieve great results on these three spots. This is type of project that only comes once in a while, it’s one of those exciting one-off projects where it was possible to really push the boundaries and create something unique and super stylised. We all really got into...
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I am pretty chuffed to have worked on 2 commercials nominated for the 12th Visual Effects Society Awards. Thanks Playstation Perfect Day Team in NY and Smithwicks Team in London. It was a pleasure working with you.      
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I was thrilled to once again collaborate with the ITV team and create this new Britain’s Got Talent extravaganza directed by Oscar Cariss. Meet the judges and hosts as you’ve never seen them before and see what THEIR talents are! The Mill created CG hula hoops, judges coming down from the ceiling and a CG whip...
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Camerimage is the only annual festival devoted to the craft of cinematography   The festival started  when a small group of visual arts passionates invited Vittorio Storaro, ASC, Diretor of Photography in Apocalipse now, to attend a small festival in Poland. 20 years later Camerimage has become one of the world’s most important festival dedicated...
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All mens dead is a short film from the National Film and Television School – NFTS Synopsis  “As the German blitz raids reach their 39th furhter air raids are to be expected at anytime…” At BBC broadcasting House, Bruce Belfrage and the rest of the staff are preparing the nightly news for millions of anxious...
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I have recently joined The Mill London Team. I must say that I had been working closely with them last year and it was with great pleasure that I was asked to join the Nuke Team lead by Hugo Guerra.
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The Visual Effects in 2001 – A Space Odyssey by Leonardo Costa   Stanley Kubrick’s visual masterpiece deserved the Oscar® for Best Special Visual Effects in 1968. Not only by the innovative techniques, trick camera movements and huge composition shots, but also for the introduction of new methods that changed the way of thinking and creating special...
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